Blind Cut

Tabernas-2011

Hyper-reality of the 2am insomniac

Out stalking in halogen-lit highways.

Cars zoom past, their lights narrow and fade

Close-up/splice–

Cowboy hat askew

Catching a nicotine burst:

Paper fizzles, heat buzzes,

At fingertips

An instant. A flash.

Piercing through the pinhole –

The dance of the light lantern

Inked onto eyelids

Carved into retinas

Stained into dreams

Fades like a puff of smoke.

 

Part of the 26Prints project with Eames Fine Art, based on Sophie Layton’s piece ‘Tabernas.’

 

Human Acts

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Clean, crisp ice cracks

A frozen wasteland, cold, clean, deserted.

The lake is thick with ice, I push my heel into it; a crisp crunch. I make my way, precise across the lake, and with each movement the ice begins to fissure. To splinter. I can see dark water through these small wounds.

These tiny cracks build and build, one after the other like a burgeoning river recreating its source.

I set my heel once more and the fissures tear through the surface at a rapid rate, they rip; the ice splits and sinks.

And I fall.

I plunge beneath the surface, sink cocooned in the cold.

There’s a clink as the ice closes over my head.

I flounder, I beat my hands bloody against the ice.

I twist, turn and scream silent in an echo chamber where no one can see or hear me.

I realise I’m not drowning in water, I was never stepping on ice.

With every beat of my hand against the surface, dark black blood pulses round me, oozes out of the surface, through the cracks, as I harden the bruise, as I spread the tears, as I rip through the surface, as I strip the body to get to its source.

I leave pain in my wake.